Visualizing Theory Selected Essays From V A R 1990 1993

—. Feeling Like Saints: Lollard Writings after Wyclif. Ithaca, NY: Cornell University Press, 2014. [From the publisher: “While lollardy has attracted much attention in recent years, much of what we think we know about this English religious movement is based on records of heresy trials and anti-lollard chroniclers. In Feeling Like Saints, Fiona Somerset demonstrates that this approach has limitations. A better basis is the five hundred or so manuscript books from the period (1375–1530) containing materials translated, composed, or adapted by lollard writers themselves. These writings provide rich evidence for how lollard writers collaborated with one another and with their readers to produce a distinctive religious identity based around structures of feeling.]


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Visualizing theory: selected essays from V.A.R., 1990 …

Neri, Janice. 2011. The insect and the image: Visualizing nature in early modern Europe, 1500-1700. Minneapolis: University of Minnesota Press.

Fogle, Bruce. 1991. The changing roles of animals in Western society: Influences upon and from the veterinary profession. Anthrozoös 12(4): 234-239.

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McHugh, Susan. 2002. Bitches from Brazil: Cloning and Owning Dogs through The Missyplicity Project. In Nigel Rothfels (ed.), Representing Animals, 180-198. Bloomington: Indiana University Press.

The Lollard Society » Bibliography of Secondary Sources

—. Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period. Chicago: U of Chicago Press, 2001. [The book demonstrates that the theatrum repudiated by medieval clerics was not “theater” as we understand the term today. Clopper contends that critics have misrepresented Western stage history because they have assumed that theatrum designates a place where drama is performed. While theatrum was thought of as a site of spectacle during the Middle Ages, the term was more closely connected with immodest behavior and lurid forms of festive culture. Clerics were not opposed to liturgical representations in churches, but they strove ardently to suppress May games, ludi, festivals, and liturgical parodies. Medieval drama, then, stemmed from a more vernacular tradition than previously acknowledged-one developed by England’s laity outside the boundaries of clerical rule. Of special interest here is a chapter on the Tretise of Miraclis Pleyinge.]

Actorum Eruditorum quae Lipsiæ Publicantur

Aftandilian. David, (ed.). 2007. What Are the Animals To Us? Approaches from Science, Religion, Folklore, Literature, and Art. Knoxville, Tenn : University of Tennessee Press.

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Guerrini, Anita. 2003. Experimenting with humans and animals: From Galen to animal rights. Johns Hopkins Introductory Studies in the History of Science. Baltimore, MD: The Johns Hopkins University Press.