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Mother Earth, Father Skyline: A Souvenir Book of Native New York presents the experiences of Native Americans in the world’s most exciting city. Through photographs, illustrations, and brief essays, Duane Blue Spruce traces the Native presence in New York.

The Great Gatsby is all about time and the American dream; it is essentially what consumes Gatsby.

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In this book, which grew out of a landmark NMAI symposium in 1995, Native and non-Native scholars and museum professionals explore issues concerning the representation of Indians and their cultures by museums in North America. Traditional museum exhibitions of Native American art and culture often represented only the past, ignoring the living Native voice. Today, museums have begun to incorporate the Native perspective in their displays. Even more dramatic is the increasing number of Indian-run museums. These essays explore the relationships being forged between museums and Native communities to create new techniques for presenting Native American culture.


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The left not only hates non-Progressive Americans in general–they’re deplorable, don’t you know–but they absolutely loathe Christians, some of the most genuinely tolerant people on Earth. They also routinely and reflexively embrace any dictator that hates America as much as they, including Islamists, even though Islamists would be delighted to kill every Progressive they could get their hands on, and particularly many favored Progressive identity victim groups.

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Vision, Space, Desire: Global Perspectives and Cultural Hybridity, which grew out of an international art symposium held by the Smithsonian’s National Museum of the American Indian in December 2005, features a lively exchange of ideas and opens new possibilities in contemporary art practice and engagement. Noted museum professionals, artists, critics, and scholars from around the world explore indigenous artistic and curatorial practices in relation to the ever-changing realities of the contemporary art scene and discuss new strategies to frame the ways Native contemporary artists are regarded in the international art world.

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Native Americans from six diverse cultures—Northern Plains, Tuscarora, Cherokee, Makah, Quechua, and Western Apache—share personal accounts of their origins, the effects of European-American settlement on their communities, and their commitment to preserving cultural values for future generations. This book unites compelling narratives with archival photographs and a rich selection of objects chosen by the authors from the collections of the National Museum of the American Indian. Pottery, baskets, textiles, beadwork, and other items highlight the beauty of Native artistic expression while they represent a spiritual quality that transcends the purely aesthetic dimension.

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Edited by Native American architect Duane Blue Spruce (Laguna/Ohkay Owingeh) and illustrated with photographs of objects from the collections, archival and contemporary images of Native life, and striking architectural photography, this book both introduces the museum and its philosophy and serves as a meaningful keepsake.