Yes, and no, depending on who you speak to.

Now, a modern scholar wants to publish an authoritative version of Poe's poem a century later. This modern editor chooses to emend the line to a standardized spelling of "Conqueror Worm." The criticus apparatus at the bottom of the page might consist of a footnote such as this:

We have used music to express ourselves, tell stories, and let others into our thoughts.

CIRCUMLOCUTION: Roundabout or indirect speech or writing, rather than short, brief, clear writing. See discussion under . Cf. related terms like , , , , , , , and verbiage.

Now an extra sense is being used.

However, we often wonder whether what we are saying has an effect on the listening audience.

CARMEN: (Lat. "song" or "poem"): The generic Latin term for a song or poem--especially a love-song or love-poem. After Ovid was banished to Tomis by the Emperor in the year 8 AD, he wrote that his crime was "carmen et error" (a song and a mistake). This has led some scholars to wonder if his scandalous poem The Ars Amatoria ("The Art of Love") may have invoked the wrath of Emperor Augustus whose Julian Marian laws sought to curb adultery and illicit sexuality.

Not to be confused with , an Anglo-Saxon poetic device.

CHASTUSHKA (plur. chastushki): In 19th-century Russian literature, a short song, usually of four lines--usually epigrammatic and humorous and nature, commonly focusing on topics such as love and commonly associated with young artists. Chastushki on political topics became more common in the 20th century. Most modern examples rhyme and use regular trochaic meter, though in the oldest examples, these features are less regular, with cadences that are feminine or dactylic (Harkins 121).

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By the Enlightenment, pastoral artwork and paintings tended to depict centaurs more as frolicking, playful creatures--erasing earlier overtones of rape and evil, and by the late 19th-century, fantasy writers at the time of George MacDonald rehabilitated them, making them deuteragonists and tritagonists that heroes would encounter on their quests. Among the Inklings of the 1940s, C.S. Lewis in particular become fascinated with idealizing centaurs as noble creatures and developed them into a for spiritual and bodily perfection. Lewis saw the upward human half of a centaur as being an emblem of reason and nobility, and the lower half being an emblem of natural biological or animal passions. Thus, the centaur became his emblem for the healthy union of the material body and the intellectual/spiritual domains--an organism as God intended humans to be before the fall, or the perfect amalgamation of the chariot-driver, chariot, and horses in the allegory of the charioteer that Plato retells in Phaedrus.

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The male gaze theory posits that because men control the creation of media; the media messages are dominated by a male point of view. The CEOs of the six companies that own 90% of media are all white males. Those same corporations are also heavily invested in the entertainment industry. Thus, the male gaze theory argues that with men controlling the media and entertainment industries, women are the object and not possessor of the gaze. Although originally applied to narrative cinema, this article postulates that the male gaze is present in all forms of contemporary media, including the music and news industries where women are objectified and sexualized.