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Now Available: The () extends the founding mission of James Loeb with an interconnected, fully searchable, perpetually growing virtual library of all that is important in Greek and Latin literature.

The essay  at least two (2) full pages.

Anyway, my goes through the issues. Four interesting letters to the editor are included. There is an excellent page by Andrys Basten bringing together information about the Hatto scandal. You can find it .


!! History Commons , Exciting News

Those who do not meet this requirementwill lose one letter grade automatically.

So much for (1) and (2). As for (3) and (4), Joyce Hatto was a lively, bubbly, intelligent person who promoted these recordings to people, and was familiar with them. She was not at the end of her life anywhere near doddery senility, and seemed to have no intellectual impairment. (Listen to her last radio interview : no sign of being out of touch.)


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Claire Fox, Charles Murray, and I spoke at a Sydney event sponsored by the Centre for Independent Studies. The topic was elitism, and in different ways the three of us defended it. My piece has just been published in . You can read it . (The Stuttgart journal has now published this talk in German.) A longer review of John Carey’s book, mentioned in the essay, can be found .

This is still the important part,folks.

When I came onto the project in the late 1970s, also influentialfor me were Marxism and the ideological critique of romantic authorship sincethese theories assumed a historical materialist base. This philosophicalposition was much more credible to explain history and historical change. Italso fit with my biography as a working-class daughter who was a first-generationcollege student. Itmatched my political progressivism. Turning to an eclectic group of Marxisttheorists—Harry Braverman, Raymond Williams, Jean-Louis Comolli, John Ellis,Louis Althusser, and other analyses of modes of production—I looked for(and found) valuable explanations about how and why labor divided and constructedsystems of bureaucracy and work patterns to insure both the standardization anddifferentiation of an entertainment product. One of the points that I stressedwas that “what was occurring was not a result of a Zeitgeist orimmaterial forces. The sites of the distribution of these practices werematerial: labor, professional, and trade associations, advertising materials,handbooks, film reviews” (CHC, 89). Although I had not beenreading contemporaneous structural-functionalist production of culture literatureby Howard Becker, Paul DiMaggio, Paul Hirsch, Richard A. Peterson, and others,similar general issues permeated both sets of literature even if the theoreticalexplanations differed.

You must use evidence to back up any statements.

News of my trips last year to the United States and Australia to flog can be found . There were speeches and signings in Los Angeles, Santa Barbara, Palo Alto, Houston, Washington, New York, and Sydney. I even appeared with this guy:

That means specificexamples and explanations.

Her catalogue includes around 30 or so concertos. This is probably more recorded concerto repertoire than Rubinstein and Horowitz combined. All of these CDs have the same non-existent conductor and orchestra. Joyce Hatto was aware of these CDs. This is incompatible with Barrington-Coupe’s claim that she did not know what was going on. In fact, it is a palpable absurdity to imagine she did not know. She signed CDs, she boasted of her exploits! Listen to the radio interviews.