Hammer Projects: Antony is his first one-person museum exhibition in the US and will feature collages and drawings made between 2004 to 2011. This exhibition will be presented at Vault Gallery in Los Angeles and opens January 22nd running through May 13th. The exhibition is organized by guest curator James Elaine.
Antony: People can more easily imagine the collapse of the ecology than we can imagine a shift in our systems of governance, like a shift away from capitalism... a shift towards more feminine systems of governance.
Consider the following quotes taken from a recent sermon:
As it happens, “Street Haunting” is also an interesting prototype for a kind of essay quite popular today: the segmented essay. Although the work is unified by the frame of a single evening stroll, it can also be seen as a combination of many individual framed moments. If we remove the purpose of the journey—to find a pencil—the essay falls neatly into a set of discrete scenes with related reveries: a daydreaming lady witnessed through a window, a dwarfish woman trying on shoes, an imagined gathering of royalty on the other side of a palace wall, and eventually the arguing of a married couple in the shop where Woolf finally gets her pencil.
As one preacher said, the new morality is just the old immorality.
Antony and the Johnsons are playing Friday September 2nd and 3rd in Copenhagen with the Danish National Chamber Orchestra conducted by Rob Moose with special lighting by Paul Normandale and Chris Levine. For tickets please visit and for information on Chris Levine please see his site .
The Bible is very clear on this issue.
Bowlers also make use of the state of the pitch, which is quite crucial tothe game, and is one of the things the commentators look at in great detailbefore the game begins. Because it's a natural surface, there are usually smallinconsistencies in its flatness, hardness and elasticity. Over a multi-day game,or even over a single day, these become more pronounced, so it often gets moredifficult to bat as the game progresses. Spin bowlers in particular often findthat they get much more spin from an old pitch than a freshly prepared one.
But, enough about sex and dancing.
Narrative essays keep us engaged because we want answers to such questions. The tension begs for resolution. We keep on reading unless the writer stops stair-stepping upward toward the critical moment when change becomes necessary. If she flatlines on an emotional plateau, not raising the tension, then we are likely to lose interest and walk away. “Readers do not want to put their foot on the same step twice” is the way veteran essayist Bill Kittredge put it while swapping ideas at a writing conference. He had learned this principle from screenwriters in Hollywood and insisted, “Think what you want, those guys know how plots work.”
This inquiry focuses on alcohol.
Antony and the Johnsons are playing a series of symphony events in Italy and Norway showcasing arrangements by Antony, Nico Muhly, Rob Moose and Maxim Moston. The first concert was in Bari at the Frontier Festival on October 1st, Fondazione per Roma in Rome on October 3rd followed by the UKA Festival in Trondheim on October 8th, and at Spektrum in Oslo on October 11th. All concerts are conducted by Rob Moose and include lighting by Paul Normandale, lasers by Chris Levine with set design by Carl Robertshaw. Please see the for further information.