Since its inception in 1989, the museum has added contemporary Native arts and objects to its collections, across all genres. Indigenous Motivations highlights some of the most important, interesting, and amusing of these works. Lively essays discuss why contemporary Native people continue to make art, and why museums collect it. Never-before-published photographs convey the beauty and vitality of these newest treasures in the museum’s marvelous collection.
Looking to the Future: The Life and Legacy of Senator Daniel K. Inouye honors one of history’s greatest advocates for Native people—Senator Daniel K. Inouye (1924–2012), former chairman and vice chairman of the US Senate Committee on Indian Affairs, and one of the visionary founders of the National Museum of the American Indian. A person deeply grounded in values, community, and family, Senator Inouye’s myriad accomplishments include, among others, legislation and support for strengthening Native sovereignty, treaties, governance, economic development, education, and health care. This volume is a compilation of edited presentations by the distinguished speakers who participated in the NMAI symposium, “Looking to the Future: The Life and Legacy of Senator Daniel K. Inouye,” held on May 15, 2014. This selective group of tribal leaders, political associates, culture keepers, education and health care specialists, and museum professionals reflect on Senator Inouye’s many contributions to the well-being of Native America and a future that builds upon the foundation of the senator's legacy for the benefit of future generations of Native people.
Dissolving objects: Museums, atmosphere and the …
American Indian cultures, especially those of the Great Plains, have a rich relationship with their horses. Far more than a beast of burden, the horse is for Native people a friend and a spiritual companion. Nowhere is this bond more spectacularly illustrated than in the beautiful equipment Native horses wear and the tribal clothing, tools, and other objects that incorporate horse motifs. Filled with photographs of objects from the unparalleled collections of the National Museum of the American Indian, as well as historical photographs of North American Indians and their horses, this book documents the central role horses play in Native cultures.
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The museum’s holdings are rich in examples of Native ceramics from throughout the Western Hemisphere, stretching across forty centuries to the present day. In this book, four scholars introduce important and little-known ceramic figures and vessels representing the cultures of the Andes, Mexico, the American Southwest, and the eastern United States. Extensively illustrated with beautiful new photographs of objects from the museum’s collections, including many pieces published here for the first time, Born of Clay brings curatorial and Native artistic perspectives together to present a lively and concise introduction to Native American ceramics.
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Edited by Native American architect Duane Blue Spruce (Laguna/Ohkay Owingeh) and illustrated with photographs of objects from the collections, archival and contemporary images of Native life, and striking architectural photography, this book both introduces the museum and its philosophy and serves as a meaningful keepsake.
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I define a participatory cultural institution as a place where visitors can create, share, and connect with each other around content. Create means that visitors contribute their own ideas, objects, and creative expression to the institution and to each other. Share means that people discuss, take home, remix, and redistribute both what they see and what they make during their visit. Connect means that visitors socialize with other people—staff and visitors—who share their particular interests. Around content means that visitors’ conversations and creations focus on the evidence, objects, and ideas most important to the institution in question.