During the nineteenth century, composers from non-Germanic countries began looking for ways in which they might express the musical soul of their homelands. Many of these turned to indigenous history and legends as plots for their operas, and to the popular folk melodies and dance rhythms of their homelands as inspiration for their symphonies and instrumental music. Others developed a highly personal harmonic language and melodic style which distinguishes their music from that of the Austro-Germanic traditions.
An ideal program of cross-cultural studies would be one that would join all four of the musical worlds of study described above: world music, world music pop, historical musicology, and ethnomusicology/cultural musicology. Once again, all of them should fall under the term Musicology (with a capital M), which is "the study of music in all its ramifications."
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Perhaps an expanded view of pop, which has numerous meanings, but, as the catch-all music fan's term for sticky sounds, inauthentic identity, and commercial crazes of every sort, remains the best word for all that is heard, loved, and yet rarely ennobled. Pop history becomes the one thing that pop itself can never afford to be: defamiliarized. Several pieces intersect at a complicated angle with hip-hop – a music that has called rock assumptions into constant question with its pop vitality, continued coherence as a genre, and non-baby boomer relationship to the musical and sociocultural past.
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Alan Lomax, one of folk music's foremost iconic historians, has observed that the junction of these varied elements has resulted in a cultural product which is "more British than whatever one can discover in Britain”.
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While many composers throughout the twentieth-century experimented in new ways with traditional instruments (such as the "prepared piano" used by American composer ), many of the twentieth-century’s greatest composers, such as Italian opera composer and the Russian pianist/composer , remained true to the traditional forms of music history. In addition to new and eclectic styles of musical trends, the twentieth century boasts numerous composers whose harmonic and melodic styles an average listener can still easily appreciate and enjoy.
Music History Order Description One Major Essay (700-750 words)
Elvis Presley was such a pivotal figure in the history of popular music that, in retrospect, he seems to have been almost destined to emerge when he did. Sun Records honcho Sam Phillips anticipated his coming anyway. In one of the most oft-repeated stories in American musical history, Phillips is reported to have said that he could make a fortune if he could find a white singer who could master the black vocal style, and Elvis was that singer.
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The Beatles are probably, one of the first bands people think of when it comes to pop music; they have influenced numerous musicians, even now, with their many popular music styles. No matter what happened in Michael Jackson’s private life, there is no doubt that he will always be remembered in the history of pop; his songs are the epitome of popular, mainstream music. Britney Spears, also, is an integral part of mainstream music; she took the audience by surprise with her amazing popular music and reigned as “queen of pop," and there is not a performer, in the history of pop music, that so quickly achieved the level of popularity and success that she did.