In his essay “An Explication of the Player’s Speech,” Harry Levin refers to the fourth soliloquy as the most famous of them all: Dwelling on gross details and imperfections of the flesh (“Eyes without feeling, feeling without sight”), Hamlet will admonish his mother that sense-perception is dulled by sensual indulgence....
Gunnar Boklund gives a reason for the highlighting of the melancholy aspect of the protagonist in Shakespeare’s Hamlet in his essay “Judgment in Hamlet”: In the tragedy of Hamlet Shakespeare does not concern himself with the question whether blood-revenge is justified or not; it is raised only once and very late by the protagonist (v,ii,63-70)and never seriously considered....
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By examining his incapability to commit suicide, his inability to come to terms with killing his mother, putting on a play to delay killing Claudius and the inability to kill Claudius while he's praying, we see that Hamlet chooses not to take action.
He criticizes himself harshly, thinking and hoping that he can kill Claudius quickly instead of delaying.
He wastes time by waiting for the play to give him certainty that Claudius murdered his father.
Hamlet’s delay is caused because of a conflict between action and awareness that makes him consider both sides of the issue.
After seeing the murder scene, Claudius stops the play; Hamlet confirms Claudius's guilt.
Hamlet doubts that the ghost was real; he stages a plan to confirm his suspicions about Claudius: “The play’s the thing wherein I’ll catch the conscience of the King” (2.2.616-617).
The irony is that his revenge could have been complete if he had killed the king then and there, because Claudius was not really praying.